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Excavations of the Roman city of Sepphoris have uncovered numerous

detailed mosaics depicting several readily identifiable animal species: a hare, a partridge, and various Mediterranean fish. Oddly, most of the species represented did not live in the Sepphoris region when these mosaics were created. Since identical motifs appear in mosaics found in other Roman cities, however, the mosaics of Sepphoris were very likely created by traveling artisans from some other part of the Roman Empire.

Which of the following is an assumption on which the argument depends?

(A) The Sepphoris mosaics are not composed exclusively of types of stones found naturally in the Sepphoris area.

(B) There is no single region to which all the species depicted in the Sepphoris mosaics are native.

(D) All of the animal figures in the Sepphoris mosaics are readily identifiable as representations of known species.

(E) There was not a common repertory of mosaic designs with which artisans who lived in various parts of the Roman Empire were familiar.

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題干：因為

本地沒有這些動物，而其他地區(qū)有相同的圖畫，所以這些圖畫是外來工匠創(chuàng)作的。題干說的是“相同圖畫”和“外來工匠創(chuàng)作”的關(guān)系。 A： mosaics 是由哪種石頭做得--和題干討論的內(nèi)容無關(guān)； B：圖畫上的動物是產(chǎn)自哪里的- 和題干討論的內(nèi)容無關(guān)； C: 不在該地區(qū)出現(xiàn)的圖畫，在其他地區(qū)出現(xiàn)了 - 無關(guān)，因為題目討論的是在該地區(qū)出現(xiàn)的圖畫，沒涉及不在該地區(qū)出現(xiàn)的圖畫； D：該地出現(xiàn)的動物圖畫和已知的物種是相同的 - 無關(guān)，不能說明是外來工匠創(chuàng)作的； E：對于在羅馬不同地區(qū)的artisan來說，并沒有一種統(tǒng)一的制圖模式。如果沒有統(tǒng)一制圖模式，那么各地人的風(fēng)格就是不一樣的，如果同一個圖案出現(xiàn)在兩個不同地方，就證明是出自同一人之手，也就是說這個人travel了。